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By Robert Scucci | Published
They say that brevity is the soul of ingenuity, and Two stories of terror of prayers It gets into this feeling transforming microficction into a series of horror anthology of the size of a bite with mixed results. If you are not familiar with the concept, you can find a more literal version of this type of microficction in the SubnetDit R/Twosentencehorror for some excellent examples of the genre done correctly, as well as some funny shots of some of its most deranged users.
Using a similar frame for each episode of the series, Two stories of terror of prayers It develops as a version of teenage cry of Black mirror In the sense that each autonomous episode explores several subgenres of horror and science fiction, relying on how technology and supernatural can have deep effects on human interactions that live within the fictions established.
As a tired horror fan, Two stories of terror of prayers It is disappointing. But it is a great series of gateway for a younger audience that does not necessarily want to commit to the entire race, since each episode is a unique experience in which its mileage can vary.
Although Two stories of terror of prayers It was inspired by microphicions in Reddit, each episode is an original job that uses the format that had already been popularized online. Each episode of the series begins with an opening sentence on the screen, and after its conclusion it reveals the second sentence that carries everything around the complete circle.
For example, the “tea time” episode that involves a nanny who is tormented by an evil girl who turns her subjects into creepy dolls begins with prayer, “of all my toys, I love this doll the best …”, concluding, “just cry a little when it hurts it.”
What happens between these two sentences is a complete episode that reproduces with the premise, providing the viewer with a 20 -minute horror story that complements the two sentences in Two stories of terror of prayers.
The problem with Two stories of terror of prayers It is that in this case, the brevity really is the soul of ingenuity.
Microphicction works well as a subgenre because it leaves everything to the viewer’s imagination, which most of the time is more scary of what develops on the screen in an attempt to beautify what simply does not need to be adorned in most cases. The “teeth” of season 3, for example, focus on werewolves and vampires. The surprising revelation after Cara has reasons to believe that his girlfriend is a being from another world is that … his girlfriend is a being from another world, leaving little to the imagination because everything is explicitly spelling for you.
In other words, do we really need 20 minutes of accumulation to tell us what we already know? The microficction ornament completely undermines what makes the genre so attractive in the first place, and makes you ask you why there are episodes like this.
However, there are some absolute blows at all times Two stories of horror of prayers’ Three seasons race that will make you want to cross the catalog because although its narrative framework leaves much to be desired, some of the stories are really disturbing and are worth it. If I had to recommend a single episode to take this point home, it would be the “crush” of season 3, which tells a disturbing story about the senile sisters who live in misery that they hate each other, but only until they find a common enemy that tries to interrupt their lives for their own benefit.
While Two stories of terror of prayers It may not be for everyone, it is a great introduction of low risk to horror for the youngest public who want a buffet style exploration of several subgenres in one place. As I said before, I think of this horror anthology series as a diluted version of Black mirror Oriented to children who want a good scare, but do not want to be traumatized by the content they are consuming.
From this article, you can transmit Two stories of terror of prayers In Netflix.