Discovery could have starred in two science fiction legends, if the Bryan Fuller shows stay

The history of the creation of “Star Trek: Discovery” is well known by Trekkies with a handful of knowledge of inner baseball. Bryan Fuller was asked to create a new series “Star Trek” for the superiors in CBS, and was anxious to do so. He loved “Star Trek”, having written scripts for “Star Trek: Deep Space Nine” and “Star Trek: Voyager”. He and Alex Kurtzman began to gather a new series, since CBS still had no idea what they wanted. Fuller had a novel idea: a series of anthology “Star Trek”. He imagined a series of multiple seasons of 10 episodes, each established at a different moment within the future history of “Star Trek.” The first season would take place shortly before the original “Star Trek” events, the second would be executed simultaneously with the original “Star Trek”, the third during the age of “Star Trek: The Next Generation”, and so successively. ending in the distant and distant future.

The expectations were high, and many CBS MUCKETY-MUCKS wanted to put their fingers on the cake. Fuller was still playing heads with CBS. It was a hard concert. In addition, Fuller spread, also served as the showrunner in “American gods”, so it was difficult. Finally, Fuller brought some co-showrunners shortly before they were asked to leave. Other showrunners finally entered the scene, and “Discovery” developed without their contribution. Only something that Fuller invented entered the final show.

Something that remained is detailed below, but a recent interview with the d -con chamber podcast, easily transcribed by inverseHe has revealed many more original ideas of Fuller for the first time. He even revealed to certain members of the cast he had been looking at.

It seems that the casting was still underway when Fuller was removed from the “Discovery” project. He revealed that Sarek, Spock’s father, had to play a role much earlier in the series and wanted actor Richard Armitage to play the character. One could know him as Thorin of Peter Jackson’s “hobbit” films, although he has had a fairly prolific career. Sarek, of course, ended up appearing in the second season of “Discovery”, and was played by James Frain.

The most exciting, Fuller revealed two giant stars for which he was shooting. “Gillian Anderson was going to play a captain of the star fleet,” he said. In addition, I wanted “Laurence Fishburne as a Klingon.” Anderson, of course, is known by science fiction fans of the 1990s as Dana Scully of “The X-Files”, giving credit to its nerd, but has also won much acclaimed by its roles in “Sex Education” And, more recently, “the crown.” He has also worked with Fuller on his television series “Hannibal”, as did Fishburne. There were many reasons to believe that I could convince them to star in “Star Trek: Discovery”. This news is likely to make Trekk withdraw with disappointment for lost opportunities.

He also commented that the Engineer of Malio Paul Stamets would originally be played by Wilson Cruz, while the husband of Stamets, Dr. Hugh Cacber, was going to be played by Anthony Rapp. In the final version of the program, the roles were reversed. Ah, yes, and Culber was originally imagined as an Andorian species, with blue skin and white hair with antennas.

It is difficult to say why these casting ideas were not implemented, although one can theorize that Fishburne and Anderson would have been hired expensive.

It seems that the launch of Michelle Yeoh was the idea of ​​Fuller. She played Captain Georgiou, later murdered and replaced by an evil Doppelgänger of a parallel universe. The evil Empress Georgiou recently appeared in the television movie “Star Trek: Section 31”. It was not well received. Fuller does not accept the guilt of some of the most controversial elements of “Star Trek: Discovery”, saying that “in my last week, I approved the uniforms of the star fleet, which they threw, and rejected the Klingon, which they kept.”

The uniforms in “Discovery” were, unlike the uniforms of the most recognizable stellar fleet, the full -body blue monkeys trimmed with gold, silver or bronze, depending on the officer’s department. They were good -looking uniforms, but they didn’t shout “Star Trek.” More widely hated it was an infamous redesign of the Klingon. The species received new huge heads, large claws of strange nasal monsters and graves. In addition, they had no hair, and their skin went from being a more natural human tone to jet black, sick or white milk. Klingon’s design was so hated that the new “discovery” showrunners began to flee from him in the second season. In the days of “Star Trek: Strange New Worlds”, the Klingon seemed much more as they did in the 1990s.

“Discovery” is not as dear as many of the other “Star Trek” programs, and clearly suffers from having too many producers in the room (each episode accredits at least 20). After five seasons, it has come to an end, and the show is a kind of, Kiiind of, caught with the concept of Fuller anthology when jumping forward in time at the beginning of its third season. The fact that “Discovery” is a series of violent action with regular murders feels more like what Kurtzman does.