A science fiction film by Will Smith originally had an Agatha Christie atmosphere

Will Smith’s experiences in the science fiction genre are a roller coaster, but most of the cinema attendees would agree that the maximums of his career feel exciting when you find them for the first time. Yes, you may have to go through a “after Earth” in its catalog to get there, but you are rewarded with titles such as “I am legend” for your problems. One of the most considered entrances in Smith’s filmography is “I, Robot”, and the beloved Riff Isaac Asimov was originally going to be a dyed mystery of Christie de Agatha. But Walt Disney Pictures wanted some changes after acquiring the project, which could have ended up working for the creative team, judging by that massive box office of $ 353 million for “I, robot”.

“I, Robot” is a 2004 science fiction film starring Will Smith as Spooner detective, and remembers so many other roles that the megaestrel ended up playing in the middle of that decade. Its detective is distant and skeptical of technology after a traumatic accident of its past in the Chicago police department, which creates complications when asked to investigate a possible murder of a robotics CEO. Spooner feels like the only man in the world who does not freely accept the technological order of things in the world of this film, and that makes him the perfect person to investigate this crime after an initial investigation diagnoses as suicide. “I, Robot” is fun and accelerated, with Smith operating in about Peak Charisma, and that is why people still remember this movie with love.

People who loved Smith in “I, Robot” probably remember the slippery sequences of CGI action in this film and an impressive voice work by Alan Tudyk such as Sonny, the suspicious robot in the case of central murder. But, in an previous incarnation of the script, there were multiple suspects close to the murder of Dr. Alfred Lanning (James Cromwell), and that is where the Agatha Christie of everything came into play.

The writer Jeff Vintar remembers when “I, Robot” was known as “Wardlired” in 1995, since he was thinking about artificial intelligence long before the current plague of our general lives. As the project was transformed over time, it began to build a world where a supercomputer and a hologram were suspicious in the case of central murder, together with Sonny. But, as the project was acquired by Disney in the same year, with Bryan Singer directing, the shape of this film began to change, and Vintar had to be fast. He told the scriptwriter’s utopia about the changes In 2004, and discovered a solution that ended up changing. Vintar explained:

“Now, the original script looked a lot like a type of mystery of Agatha Christie. It took place in an environment, an apartment in a high -tech building. Apart from that, it follows the same line as the film finished. A time (after buying the script, Disney) attached a good director, Bryan Singer. I worked in the script with him. He transferred the configuration and put it in a space station as a way of explaining the fact that he was so explained as a confinado.

From that description, we can see that there was a sense of isolation baked in this previous form of “I, robot”, but did not cut the study. It is difficult to imagine that automated car persecution occurs in this version of the film, which would have been a shame, since it is one of those pieces that people think immediately when they remember “i, robot.” While the film released is reproduced in some paranoia while Sonny is fleeing detective spoon, it is easy to imagine a version of the story in which he does not have many humans to bounce, and that choice would raise the tension even more. To mention Agatha Christie here also makes you think of the infamous resolution of “Murder in the Orient Express”, where all suspects played a role in the victim’s disappearance. That is a very different movie from the only “I, Robot” turned out to be!

At any time, revelations like this drip for a great Hollywood movie, some fans rush to regret the film that we could all have had. But it is important to keep in mind that Alex Proyas’ science fiction entry ended up being the 11th more reheating of 2004 at the box office. The critics were mostly warm for “I, robot”, but there were some detractors of the plot of the film that seemed too mechanical. Still, in The Current Age of Film Discourse, There are a Lot of Folks Who Absolutely Loved This Science Fiction Action Ride and Wonder If Will Smith Will Get To Play of the Sponer Again Someday. So, there is something good on the path that was actually taken instead of the vibrations of Agatha Christie.

Adapting films to a broad audience is a thorny issue, and one that is discussed on the field on several social networks platforms on our current pop culture panorama. As many people discuss the role of a study that gives a filmmaker notes on accessibility or complexity in a script, there are rare moments in which it works. Having Will Smith in the main role probably not hurt at all. In fact, we could end up seeing a sequel to “I, robot” in the coming years, while this strange redemption tour continues in which it was found before the launch of “Bad Boys Ride or Die”. Sometimes, a change in vibrations is not a bad thing.