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Chamber launches have been abundant until recent times, with Canon, Nikon, Sony and other important brands that launch new important models recently. In 2024, we saw some notable improvements in areas such as automatic approach and video, along with some new trends in the creation of interesting looks for videos and photos in the camera.
In total, more than 20 new cameras were launched last year that joined the many outstanding models in the market of previous years. The question is, what is adequate for the type of videography or photography you perform? Whether he is an aspiring action or wildlife photographer, an addict of extreme sports or a content creator, we will help him find the perfect camera to coincide with his budget and requirements.
Although smartphones improve for videos and photos every year, complete cameras still have an advantage in many ways. The largest sensors in the mirrorless cameras let more light in, and you have a wide variety of lenses with much higher optics. Dedicated cameras are also faster to film things like sports or wildlife, offer higher videos for content creators and create more professional results.
There are some key things to consider to make the most of a camera. The first is the sensor size: in general, the larger the sensor, the better (and generally more expensive) is the camera.
The complete picture is the largest sensor size for conventional cameras, and is available in models such as the new Panasonic S9, Nikon Z III and Canon Eos R5 II. With a size equivalent to a 35 mm film (36 x 24 mm), it offers the best performance in terms of image quality, low light and field depth capacity. But it is also very expensive and fussy. While Bokeh looks incredible in an opening of f/1.4, the depth of field is so thin that his subject’s eyebrow could be focused but not his eyes. This can also hinder the video video.
The next size category is APS-C (around 23.5 x 15.6 mm for most models and 22.2 x 14.8 mm for canon), offered in the Fujifilm X series line, Canon R10, Sony Zv- E10 II and Nikon Z50. It is cheaper than the complete picture, both for the body of the chamber and for the body of the camera, but still brings most of the advantages such as decent Bokeh, high iso for shots with little light and a relatively high resolution. With a sensor size just like movies cameras, it is ideal for filming videos, and it is easier to keep the approach than with full frame cameras.
Micro Four Thirds (17.3 x 13 mm), a format shared by Panasonic and Olympus, is the next step in the sensor size. It offers less Bakeh capacity and light collection than APS-C and the complete picture, but allows smaller and light lenses and lenses. For the video, you can still obtain a reasonably adjusted field depth with good primary lenses, but the approach is easier to control.
The other common sensor size is type 1 (1 inch), which is actually smaller than an inch at 12.7 x 9.5 mm. That is mainly used by compact models such as Sony’s Vlogging ZV-1 camera. Finally, action cameras such as Gopro Hero 11 and Osmo 3 of DJI have even smaller sensors (1/1.9 and 1/1.7 inches, respectively).
For photographers, another key factor is the speed and precision of the automatic approach (AF). Most modern mirror chambers have phase -detected aphid systems that allow rapid approach and rapid explosion speeds. Most also offer characteristics of AI as detecting the AF eye for people and animals, which are blocked in the eyes, face or body of the subject to keep them focused. However, some models are faster and more reactive than others.
The electronic viewfinder (EVF) and the rear screen are also crucial. The best models have the most acute and brilliant evf that help you judge a photo before taking it. For things like street photography, it is better to have a rear screen as brilliant and clear as possible, so it is easy to see its subject and verify the focus on all kinds of lighting conditions. It is also possible that you want a screen that also leaves instead of just leaving.
DSLR and mirror cameras allow you to change glasses, but you are trapped with what is integrated into a compact camera. While that is ideal for portability, a single lens means that you will sacrifice something along the way. The Fujifilm X100V, for example, has a f/2.0 fast but fixed equivalent lens of 35 mm and without zoom. The Sony RX100 V has a 24-70 mm zoom, but it is slower in the end of telephoto (f/2.8) and less sharp than a fixed focal lens (cousin).
When choosing a lens for a mirror -free chamber, you should consider the focal length or zoom, together with the minimum opening. The best numbers like F/1.4 for a main of/2.8 lens for a zoom are the best, since they allow you to work in darker environments and maximize the bottom blur to isolate your subject. However, these lenses are more complex and, therefore, more expensive.
When it comes to video, there are other factors to consider. Some cameras combine or omit the pixels (lines of line or pixel binning) for video recording, which is not ideal because it can reduce sharpness. The best cameras tend to read the entire sensor and then “show descending” to improve the sharpness of the video (cameras manufacturers do not usually say if the video is grouped, but will say if it is sampled). Another important factor is the sensor speed, since the slower sensors tend to have more rolling shutter that can create a “jelly” effect that skews the video.
Also, how is the battery life? What do you think of handling and sensation? How long can you shoot before the camera is heated or stopped? Does it admit 10 -bit HDR video? Is there a microphone and/or a headphones? (If you record many interviews, it is preferable to have both). How is the video focus? All these things play a role in their decision.
Mirrorless is the largest camera category in terms of available models, so it is the best way to do it if you are looking for something with the most advanced characteristics. Canon and Nikon recently announced that they are discontinuing the development of new DSLR, simply because most of the advantages of that category have gone, as I detailed in a video. The feature of greater sale of a mirror -free camera is the ability to change the lenses depending on the type of shot you want to make.
The most important features to be searching for an action chamber are image quality, stabilization and battery life. Gopro has easily beating all the rivals in all those areas, but DJI has taken a lot of business with the Cardán Osmo Pocket 3 camera.
This category has fewer cameras than a few years ago and many models are older, since manufacturers focus on mirrorless models. However, I still believe a lot in compact cameras. They are a remarkable step of smartphones in terms of quality, and many people will take a compact trip or for events when they never bother the discomfort of a DSLR or mirror camera.
Compacts have 1-inch type 1 sensors, but some offer larger options, particularly the XF-100V of Fujifilm. Another popular model, Sony’s XV-1, is mainly aimed at content creators who seek to intensify. In any case, the desirable qualities include the quality of the image, a fast lens, relatively long zoom, flip-out visualization, good battery life, a high quality evf, decent video and good pocket capacity.
This article originally appeared in Engadget at https://www.engadget.com/cameras/best-cameras-151524327.html?src=rsss
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